7/4/2023 0 Comments Download red figure kraterThrough the introduction and removal of oxygen in the kiln and, simultaneously, the increase and decrease in temperature, the slip transformed into a glossy black color. At this point, the unpainted zones of the vessel became red again while the vitrified slip (the painted areas) retained a glossy black hue. Finally, in the last stage, the vents were reopened and oxidizing conditions returned inside the kiln. 390380 BC attributed to Choregos Painter (South Italian, Apulian, active c. The maenad stands before him, holding a tympanon (frame drum), decorated with a star in her right hand, while she gestures towards another thyrsus with her left. Dionysus is seated on the left, holding a thyrsus (pine staff) in one hand. Next, by sealing the vents and increasing temperature to around 900-950° centigrade, everything turned black and the areas painted with the slip vitrified (transformed into a glassy substance). Red-Figure Bell-Krater (Mixing Vessel): Bust of Dionysos and Comic Actors (A) Dionysos, Satyr, Maenad (B) c. Download Full Size Image Red-figure krater depicting the god Dionysus and a Maenad, one of his female followers. At this point, the entire vase turned red in color. First, the temperature was stoked to about 800° centigrade and vents allowed for an oxidizing environment. The red figure calyx krater is representation of4th and 5th century BCE Greek vessels. Not only did the pots have to be stacked in the kiln in a specific manner, but the conditions inside had to be precise. To produce the characteristic red and black colors found on vases, Greek craftsmen used liquid clay as paint (termed “slip”) and perfected a complicated three-stage firing process.
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